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Adelaide, architecture, critical writing, publishing, South Australia

Adelaide  Photography 1970–2000

September 24, 2017

I have spent  some time in the last week or so  contacting people  to invite them to participate in the Adelaide Photography 1970-2000 book that is to be produced  by Adam Dutkiewicz and myself for Moon Arrow Press. This book builds on, or is a development from,  the Abstract Photography book that we published in 2016,  which  recovered what was left of the abstract modernist work  produced in  the 1960s. These are  companion volumes so to speak.

The result to the initial email that has been sent out has been positive,  in that the people  who have been contacted  so far have all said yes.  Several others are rather slow in responding to that  email.  However, the  main problem that I have  encountered at this stage has been  finding the contact details  for some of the names of the  relevant people that have mentioned. As a result some people who made art photographs during that period will not  be included. They disappear from our visual history.

Harts Mill, Port Adelaide

Adelaide Photography 1970-2000 is designed to fill in one of the many gaps of the national histories and timelines of art photography in Australia that leave out Adelaide.  This gap, silence or absence gives the wrong impression, as it implies that nothing of interest happened in South Australia in art photography during the last quarter of the 20th century.  The inference is that South Australia is just a fly over state, and if any photographic work happened during this period, it is provincial, and so of little interest with respect to the national canon. Hence the idea of alternate histories–namely a rethinking of Australian photographic history  that questions our understanding and interpretation of the past.

Continue Reading…

Adelaide, archives, black + white, film, history, people, publishing

The Bowden Archives: in publication

July 17, 2017

The Bowden Archives  is is  now in publication.  I took the image  files  to the publisher–Wakefield Press— on  Monday, the 17th July.  I still have the text, or rather the  three texts, to finish. I am currently struggling to get  them into some short of shape. The overall  argument is still very implicit and fuzzy, and  the arguments of each of the texts  are  still  hazy.  I have another month to get the texts  to flow, and once that is done  I will  finally have a draft of the book .

A book  is the next stage after publishing the images  online in  Flickr and then a WordPress blog. It is very much a DIY project  at a time when there is a substantial attack on knowledge, inquiry and,  cultural memory caused by  the austerity  regime imposed by conservatives.  This has seen ongoing public funding cuts to  science authorities, universities, research programs, museums, archives,  galleries and the public broadcaster along with a general dismissal of photography as a naïve, indulgent or downright irresponsible way to spend one’s time and energy.

Bowden kids, Adelaide

At this stage the preface is entitled ‘Living in Bowden‘, the second essay is entitled ‘Alternate Photographic Histories’ and the third text is entitled ‘Photography,  Memory,  Place’.  The idea behind the book is to give a grounding to this style of regional photography; one that breaks with the positivist conception of documentary photography in the art institution by  making the shift to hermeneutics and interpretation. This means that the photos are made rather than taken. It is a small and modest step to helping create a strong, critical visual culture to counter the latent anti-intellectualism      directed at those people who want to talk/write  about the ideas on which photography rests, as well as making images.  Continue Reading…

Adelaide, architecture, colour, critical writing

State of Hope: a review

April 8, 2017

The latest issue of  the Griffith Review is  no 55,  is called State of Hope and it is about contemporary South Australia.  It is edited by Julianne Schultz and Patrick Allington    and the issue consists of  short essays and memoir, fiction pieces and poetry, and photo stories.  Authors include Robyn Archer, John Spoehr, Peter Stanley, Angela Woollacott, Kerryn Goldsworthy, Chris Wallace, Dennis Atkins, Nicholas Jose, and Ali Cobby Eckermann. This is an Adelaide and South Australia as primarily  seen by those working within a literary culture that includes print journalists in the mainstream media (i.e. Murdoch’s Advertiser no less).

The Griffith Review is a  leading literary magazine in Australia that  sees itself as a “high quality, agenda-setting, quarterly publication, delivering insight into the issues that matter most in a timely, authoritative and engaging fashion”. Griffith  Review peer reviews the submissions  to its various issues and  nearly all of  the members of the expert panel academics in universities in the eastern states. Previous issues have been  devoted to Tasmania and Queensland.

What is presented in these texts is the public role of writers as public intellectuals. Writers, it seems,  have a role to  to challenge and arouse the nation–ie., to speak truth to power— given the pressures of  the new media technologies and the forces of globalisation on Australia’s  literary culture—and, thankfully,  the old split between between academe,  creative writer and critic  is absent.

The  market blurb to the  State of Hope text says that:

As the industrial model that shaped twentieth-century South Australia is replaced by an uncertain future, now more than ever the state needs to draw on the strengths of its past in order to move ahead. Now, on the cusp of change, the state needs to draw on its talent for experiment and innovation in order to thrive in an increasingly competitive world. State of Hope explores the economic, social, environmental and cultural challenges facing South Australia, and the possibilities of renewal and revitalisation.

This is a reasonable assessment.  South Australia is undergoing extensive de-industrialization that began in the 1970s and an uncertain  post-industrial  future does  loom. However,  South Australia is not alone in this–eg.,  witness Victoria. The process of de-industrialization  and an uncertain future also applies to Australia as a whole after the mining boom.   I also concur that the big shift to renewable energy in South Australia,  as  noted by some contributors,  is an indication of  the shape of a new future for the state.

One characteristic of State of Hope  that  I found   surprising was  the heavy doses of nostalgia with respect to the subjective memoirs of childhood and  youth remembered in Adelaide  in many of the literary contributions. This  nostalgia about the good times in South Australia’s past—-eg.,  when South Australia under Don Dustan could claim to lead the nation in politics, culture and civic virtue— does not engage with  the  contemporary revitalisation of urban life in the CBD.

construction, Franklin St, 2011

Contemporary Adelaide, which  is undergoing rapid change–not just decline– is overlooked  by the looking backwards to the golden days of cheerful,  suburban life in the 1960s and 1970s.  That is 40-50 years ago.  So what about now—everyday urban life in contemporary Adelaide?  Continue Reading…

Adelaide, architecture, topographics, urban

place and memory

January 3, 2017

In an earlier post about  The Bowden Archives and Other Marginalia   project I mentioned that  the book increasingly looks to be about place and memory.

The places in the book are the Adelaide CBD, Bowden and Adelaide’s suburban beaches. They are places in the sense that memory is formed in and by place through experiential interactions and in turn, place triggers personal and collective memory  

Conroys, Bowden

Conroys, Bowden

Certainly my memories of these places are being triggered by the specific photographs that I have been selecting  from  my 1980s and 1990s  archives. Many of my memories  from this period have long been forgotten.  They are slowly returning as I reconstruct this period through photos and research material about the process of de-industrialization in South Australia. Continue Reading…

Adelaide, black + white, people, urban

photo-book : The Bowden Archives and Other Marginalia

December 28, 2016

My energies in the last month or so of 2016 have been directed in  starting to put material –images and text—together for the photo-book that I have started working on. It is a form of memory work as it is an active seeking out and an interpretive and reconstructive approach to the past. The book is situated in the nexus of photography, archive and memory  and it is a working through of personal and collective memory based on my photographic archive.

The first stage  is  going through the 1980s photography  archive, selecting negatives from the contact sheets,  scanning  the selected images,  and then digging around the internet for  text to act as a commentary on  this decade in Adelaide.  The assembled  material goes  into a post on  an old wordpress blog, which acts  as a repository of selected material that I can then rework into  an initial  digital draft  using InDesign. Or probably Scrivener, before I turn to InDesign,  as I  do need a word processor and project management tool that  would allow me  to compose and structure a difficult document.

newspapers boy, Adelaide

newspaper boy, Adelaide

The book’s current working title is  The Bowden Archives and Other Marginalia and,  at this stage, it is composed of three main sections: Adelaide street images, the Bowden archival project, and pictures  made away from the city–at the beach or on the road.  I have primarily  been working  on the first two sections and these are  looking okay.  Continue Reading…