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colour

architecture, colour, digital, roadtrip, topographics

roadtrip to Wallaroo

April 18, 2016

The second step in the roadtrip with an 8×10 has just taken place. It was to Wallaroo on the Yorke Peninsula. On this occasion I   built on the first roadtrip to the Coorong by  camping instead of renting a house and linking up with Gilbert Roe, a fellow photographers from Adelaide, instead of being on my own.  He is the only photographer that I know in Adelaide who is interested in exploring South Australia, doing road trips,  camping and photographing.

Although I digitally scoped  some agricultural landscapes of the Yorke Peninsula, and the  older style  beach shacks at Wallaroo’s North Beach   the large format photography on this roadtrip was centred around  the Vittera silos at Wallaroo:

silo, Wallaroo

silo, Wallaroo

I’ve been searching for historical precedents for Australian photographers doing roadtrips along the lines of Americans such as Robert Frank, Stephen Shore and  Joel Sternfeld who extended  the tradition of chronicling roadside America that was initiated by Walker Evans in the 1930s. Continue Reading…

colour, digital, history, landscape, ruins, topographics

at Lake Albert

April 10, 2016

After attending  the Centre of  Culture,  Land and Sea’s   informative workshop at Meningie in South Australia.  I used the opportunity  to explore around  Lake Albert and the Narrung Peninsula with its legacy of settler agriculture before driving on  down to Salt Creek  for a photoshoot for the Edgelands project.

Lake Albert, along with Lake Alexandrina,   is a part of the Lower Lakes of the River Murray,  and  is adjacent to the northern lagoon’s eco-system of the Coorong. Being at the bottom end of the highly engineered River Murray,  Lake Albert  suffers from the river’s  minimal environmental flows.  Those at the  terminus of the River Murray receive what is left over after consumptive use in the Murray-Darling Basin.

 Though  the  Barrages at Goolwa were constructed to maintain the Lakes as freshwater systems at a constant water depth, the Lakes/Coorong region is  at the end of a major river systems, which  means that this region is highly sensitive to changes in freshwater flows. Despite the Basin Plan, which has addressed the overallocation of water  from the Basin’s rivers  by irrigated agriculture,  not enough fresh water currently flows into Lake Albert  to flush the lake  out,  so it is salty,  and all the  contaminants from the upper part of the river end up in Lake Albert.
Lake Albert, South Australia

Lake Albert, South Australia

The irrigators around  Lake Albert suffered from a lack of water during the Millennium Drought (from 2002- 2010)—-when Lake Albert was closed off from natural river flows by a Government constructed band at the entrance top the Lake.   Exposure and oxidation of acid sulfate soils due to falling water levels from 2007-2009 in the Lower River Murray and Lower Lakes also resulted in acidification of soils, lake and ground water. The low water levels on Lake Albert  resulted in many of the dairy farmers, who had  relied on pumped water from Lake Albert,   being  forced to sell their cattle and even abandon their dairy farms. Continue Reading…

coastal, colour, film, landscape

Fleurieuscapes Outtake: Petrel Cove

March 2, 2016

The beach  dimension of the Fleurieuscapes had a minimal presence in  the exhibition at Magpie Springs. Images, such as the one of Petrel Cove below,   did not make the cut with the  curators.   Petrel Cove is on the south side of Rosetta Head,   and it is a picturesque beach with rocky outcrops,  which,  despite a dangerous rip,  is populated during the summer by surfers, recreational fishers, families and photographers.

It represents the pleasurable, freedom  and recreation during the summer months without the stench of sewerage,  piles of discarded condoms, human faeces, life savers,   or racial conflict.

surfers, Petrel Cove

surfers, Petrel Cove

The  Petrel Cove beach is usually empty during the late autumn,  winter and early springs months apart from the odd surfer, dog walker, photographer,  or  lone fisherman. The place  has  a  history  of its  rip regularly claiming the lives of those people who ignore the warning signs that signify the potential dangers. So Petrel Cove is not an unspoiled place that has a spiritual significance.  Continue Reading…

colour, critical writing, digital image, landscape, nature

on location: Salt Creek in the Coorong

February 24, 2016

The Coorong in South Australia  is basically a string of saltwater lagoons  sheltered from the Southern Ocean by the  sand dunes of the Younghusband Peninsula.  It is still largely  seen  as a pristine wilderness  rather than an edge land.   Nature from this perspective is a by-word for “wilderness areas”.

The Coorong is identified as a National Park, which is then reduced to a pristine wilderness that is a sanctuary for many species of birds, animals and fish. It is  held to be a pristine wilderness (an elsewhere beyond human culture and society),  despite the existence of walking trails;   the waters of the Coorong being a popular venue for recreational and commercial fishers;   and  it being a remote space where we go to in our SUV’s on weekends and  public holidays. The idea of wilderness area is a social/political construction as not all parts of the Coorong are a national park or a pristine wilderness.

 The  concept of nature underpinning  the idea of the Coorong  as a pristine wilderness means that it is seen as a self-contained, harmonious set of internal self-regulating relations that always return to harmony and balance so long as they aren’t perturbed by  humankind.  Because nature is seen as harmoniously self-regulating, any technological intervention in nature is seen as inviting harm, disaster and catastrophe.

This conception of nature as a pristine wilderness goes back to  the Romantics,   who constructed nature as offering  a respite from the transgressions of so-called civilised European society then undergoing  the initial phases of capitalist industrialisation. Nature is seen as sacrosanct and is venerated. Nature as “over there,” somehow separate from our daily lives, is  then set on a pedestal.

at the salt site

at the salt site

The next step is to argue that the ultimate cause of our ecological problems is modern technology, Cartesian subjectivity, within which we are abstract beings somehow outside nature, who can manipulate nature, dominate nature.  Nature is an object of our manipulation and exploitation. Modernity is based on a hard and fast distinction between Nature and Culture, where the two domains are to be thought as entirely separate and distinct. Continue Reading…

colour, landscape, nature

Fleurieuscapes: the poetics of place

February 17, 2016

Whilst I was walking and photographing in the Otway forest during my Melbourne trip I realised that my relationship with the southern Fleurieu Peninsula  had changed from visiting to dwelling. I now live in on the coast and belong to this place.  That meant my photography of the region had become place based, as it was premised on both taking a walk in the landscape rather than rushing to explore or discover and dwelling in a place.This photography is a recovery of a sense of our embeddedness of place.

Dwelling in a place implies a greater environmental awareness and sensitivity and is usually contrasted with  the more instrumental domination of the landscape that is premised on power, control and exploitation.  Dwelling implies a capacity to observe, underestand, describe and being attentive to, and caring for,  the natural environment of the  place  where one is living.

3 gums, pm

3 gums, pm

There is a tradition of  representing the  Australian landscape as hostile to its human inhabitants; a tradition that reaches back to the colonist representation of the harshness of the Australian landscape nature. The colonists saw Australia as a land of stance animals and bizarre plants, a land worn out though it were   a land left behind by time,  as an alien, barren  hostile land that had been deserted by God.   Their response to the landscape was to trash it in order to dominate it.  Continue Reading…