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Mallee

architecture, colour, Mallee, roadtrip, Travel

roadtrips

November 22, 2016

The key idea behind the LBM Dispatch, named for and printed by Alex Soth’s limited-run publishing house, Little Brown Mushroom, is a  reimagining of the iconic American roadtrips photography book as a series of small newspapers, each of which chronicles a quick trip Brad Zellar and Alex Soth have taken through a different state or territory of the USA.  Previous Dispatches have covered Michigan, Ohio, and California’s “Three Valleys—Silicon, San Joaquin, and Death” and the Texas Triangle.

They pretend to be  newspapermen and in the course of these road trips they  end up in places that might well have been foreign countries. Little townships, small town service clubs and fraternal organizations, church dances, crime scenes, small business expos all quite different from the bland development  of corporate America.

newspapers, Hopetoun

newspapers, Hopetoun

The Mallee is similar.  Once you  get off the highways and into the heart of the heart of the country  you find that the historical  notions about  regional Australia’s   cultural life and values are still out there. Sure,  they’re  under siege with the  economic hardship and alcohol but there is a strong  local culture, community, social life and sense of place.   The Mallee, judging from my Hopetown photo road trip,   has a strong and  deeply rooted regional identity.   Continue Reading…

architecture, digital, history, Mallee

in the Wimmera-Mallee

November 20, 2016

I struggled with my  photography on  the recent phototrip to the Wimmera-Mallee  for the Mallee Routes project I am working on  with Eric Algra and Gilbert Roe.   Though it  involved slow travelling as a way of making sense of a changing world, my method of working –scoping scenes with a digital camera,  then re-photographing with film cameras at a latter date—quickly hit its limits.

I was there on the cusp of summer.  It  was hot and dry and  the light was very bright, intense and contrasty. I could only work very early in the morning after sunrise and in the early evening for a very short period of time. The  exploring and scoping  of material was during the heat of  the day the distances involved in travelling from town  to town—about 50 km– meant that it was not feasible for me to return to what I had previously sketched in the brief  period of time  that I was there.

Memorial Hall, Hopetoun

Memorial Hall, Hopetoun

We camped at the Mallee Bush Retreat  on the foreshore of Lake Lascelles in Hopetoun,  and  I mostly photographed around this regional town. This image of the Memorial Hall was made around  8pm on the last night. We had just come out of the pub and I saw the soft light on the building’s facade.   I quickly  scoped it,  but  I had no time to re-photograph it with my 5×4 Linhof before the gentle  light disappeared. What I have is a photographic document  in the form of a digital file.

In our  culture of computer-pictures--our society of information is a society of pictures—it is held that with  the emergence of computer-generated imagery  the very foundation and status of the photographic document is challenged due to the profound undermining of photography’s status as an inherently truthful pictorial form.It is true that  digital nature of the image has challenged the essential qualities of analogue photography: its evidential nature, and the identification as a form of visual truth.  It is also true that  representing the world through a camera lens is giving way to new forms of vision and  image with  the new  digital image technologies associated with  the computer.

This image is no deadpan documentation; nor a mummified effigy that is properly housed in a museum; nor  a fading memory in a post-photographic culture of what photography once was. Looking at this  particular photographic file  on my computer screen is to look at the past: this  photograph gives me a particular recollection of an experience and it gives me something  to hold onto about he Mallee’s history.    Continue Reading…

architecture, exhibitions, film, Mallee

2016 Shimmer Photographic Biennale

September 3, 2016

The Weltraum exhibition at Magpie Springs  for the 2016 Shimmer Photographic Biennale was finally hung this morning.   All those who are participating int he exhibition  chipped in.  A big thanks to Jeff Moorfoot,  whose expertise gained from   running the Ballarat International Foto Biennale  as  creative director (he’s now the editor of Beta Developments in Photography), helped  me put the finishing touches to the exhibition.

Seeing some of the silo images  hung at Weltraum  allowed to me to assess whether to continue to photograph the silos in black and white or colour in the future. This is an early colour  image of  a silo at Linga that I  made with the 5×7 Cambo monorail.

silo, Linga

silo, Linga

I’ve decided to go with black and white with  the colour as a supplement since the colour  doesn’t add that much to the project.   Continue Reading…

architecture, colour, history, Mallee, roadtrip

Weltraum outtake

August 14, 2016

This  35mm outtake is one of the exploratory  pictures that I made whilst I was working out how to approach  photographing the 15 silos on the Mallee Highway project. Several work in progress images from this series  form my contribution to the Weltraum exhibition at Magpie Springs  in the 2016 Shimmer Photographic Biennale.

The location of the picture is Murrayville in  the Victorian Mallee,  and I was photographing all the silos on the Mallee Highway whilst making my way to the camp at Ouyen with Gilbert Roe.  I made notes as photographed each silo along the way as to side of the silo provided the best perspective and whether am or pm  was the most suitable time.

Murrayville

Murrayville

The options that I had were: should I stand well back from the silo and make it part of the landscape rather than focus on the silo itself;  should I use backlight to give the landscape a gloomy atmosphere; should I use colour or black and white film; what camera would I use? I decided that I would focus on the silo, use frontal light,  work in black and white,  and photograph  with  the Cambo 8 x10 monorail.

In the light of this straight-on gaze of the large format camera  the  photographic approach of the above 35mm  outtake is sidelined to  become a part of the Mallee Project. Continue Reading…

exhibitions, film, Mallee, topographics

The Mallee project starts

July 13, 2016

The Mallee project is now up and running. It kinda came together, spontaneously. How about that?

Our initial  meeting  earlier this week  at Henley Beach  to kickstart  the Mallee project was able to take place  because  Eric Algra had flown over to Adelaide from Melbourne  to  work for a week on his new Elizabeth project.  It was a fruitful meeting that covered a lot of ground. All of   us share a fascination with the Mallee,  its history,  and its social and agricultural landscape. This is a dry, hot region featuring sand dunes, salt bushes, shrubs and  strange dwarf gum tree, Eucalyptus Dumosa, usually called Mallee.   What’s more we  are are comfortable in  each other’s company.

We–Eric Algra, Gilbert Roe and myself — reckoned that we would have enough work  from our previous road trips to  the Mallee to have a modest   group exhibition this year. This initial exhibition, which kicks the public side of the project off,  will be  in  October at Atkins Photo Lab’s new gallery space in Adelaide. This is  at the same time as   APSCON16 is happening in Adelaide— that is,  the annual conference of the Australian Photographic Society, which is the national body of the very active,  state based camera clubs.

garage, Tailem Bend

garage, Tailem Bend

This is the first time that I  will have worked  on a project with a group of photographers,  and it will be interesting to see how the project  develops over the next few years,  as we  continue to build up a body of work from our future  road trips and exhibit in various towns and cities. Maybe we could exhibit online or bring some writers or poets  in? It’s  envisaged as a multidimensional project.

Continue Reading…