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rocks

coastal, colour, landscape, rocks, South Australia

homecoming

November 11, 2017

In  starting to  work on the Fleuriescapes project once again  I can now see that it is more about  place and  homecoming,  with the photographic style more in the form of poeticising.  The project  is about being at home in this particular place,  and it is about exploring what that means through poeticising what is familiar and taken-for granted  in our everyday,  pre-reflective life.

quartz+granite

After we left living in the CBD in Adelaide to shift down to Victor Harbor (ie., sea change) it slowly dawned on us that the southern Fleurieu Peninsula was our home  Adelaide is now where we go  to do business then leave to return home–it is a world of instrumental value and rushing about.  Though we were once comfortably at home in the city’s everydayness and its local neighbourhoods we no longer are at home where we used to live.

We often dip in and out of the consumer society of  the city; an urban life that is  based on unending economic growth  and gaining satisfaction from consumerism. We  no longer miss living in the urban  world of the city 0f Adelaide, with its coffee shops, entertainment, businesses, art galleries, film labs,  corporate universities,  people and politics.  Our experience of the city is now akin to one of homelessness–a passing away of belonging to a world based on unlimited economic growth.

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abstraction, black + white, digital image, rocks

scoping in landscape photography: Fleurieuscapes

October 16, 2017

I really do struggle with  my landscape  photography in and  around Encounter Bay on the southern Fleurieu Peninsula of South Australia,  even though I do a lot of scoping for it.   I struggle in the sense of having both a lots of doubts the value of this working and a lack of confidence in what I am doing —with both the coastal work and the roadside vegetation.   So I don’t get very far with working  the Fleurieuscapes project as I am not sure what I am doing with it.

I only have confidence in the abstraction side of this photographic project. The work process is now routine  and I am quite comfortable with it. I  make a digital study of the object,  sometimes convert the colour digital file to a  black and white one,   and  then  spend some time assessing  the image  for possibilities for  a 5×4 photo session.  Is it worth doing? If so, what is the best way to approach this?  This is an example of the work process –some granite rocks on the beach at Petrel Cove.

granite study for 5×4

I have sat on this image for a couple of months at least.  In fact I scoped it a year ago and I’d left it sitting on the computer. I re-scopped  it earlier this year when I was walking around exploring Petrel Cove whilst  on a poodlewalk.    I remembered that I had previously photographed this bit of rock and that I  wasn’t happy with what I had done, but I had thought that it had possibilities for a black and white 5×4 photoshoot  using the baby Sinar (F2). So  I re-scoped it.   Continue Reading…

abstraction, black + white, coastal, exhibitions, nature, rocks

Fleurieuscapes: Outtake 3

January 12, 2016

This abstraction of the granite rocks at Kings Head, which is n near Victor Harbor on the southern Fleurieu Peninsula in South Australia,    is another out take from the Fleurieuscapes exhibition at Magpie Springs. One  reason for  this image not making the cut is that I decided that there would be no abstractions  in the exhibition, given my 2015  Australian Abstraction exhibition at the Light Gallery in Adelaide during the SALA Festival.   Another reason  for  its  exclusion is that the  people  helping me  to curate the  pictures   for the exhibition judged  that  the image  was too forbidding and  austere. It was a part of the  grotesque mode of expression in the visual art and it didn’t really fit in  the exhibition.

This exhibition  is part of the emerging trend in contemporary art photography  in Australia and New Zealand  that shows a marked and widespread interest in landscape. There has been a tendency to trivialise and overlook landscape photography, including the photography of wilderness.

rock abstract, Kings Head

rock abstract, Kings Head

The  textual background to the exhibition is that the genre of landscape has been desperately unfashionable across the arts for so long, the preserve of the Sunday painter and the happy tourist snapper. While the photographic canon includes the greats of landscape photography,  more recently photographers have tended to avoid a genre that is so easily linked to the vernacular (ie., happy snappers and tourism) and so difficult to connect to serious intent.
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abstraction, black + white, Encounter Studio, rocks

The Nik Collection

April 17, 2015

The Nik Collection suite of software,  which has been  owned by Google since 2012, was downloaded  to Encounter Studio this afternoon. I know very little about the different software  products in the collection—-Color Efex Pro 4, Nik Sharpener Pro,  Viveza 2, Dfine 2,  HDR Efex Pro 2 and Analog Efex Pro 2 apart from Silver Efex Pro–and I’m  not interested in some of them–eg., HDR Efex Pro  or Nik Sharpener Pro as I detest that  digital aesthetic. Nor do I know if they add much to what you can do using Adobe’s Lightroom or Photoshop.

The reason  for downloading the collection  is Silver Efex Pro 2.  I find that Lightroom is not that good  for post-processing my scanned black and white  files — they come out  a bit flat and they lack a rich tonality. I’ve been without Silver Efex Pro 2  since I upgraded the Mac’s  operating system to Yosemite,  and  I’ve missed using it  for post-processing my black and white medium format negatives. Silver Efex Pro  works well, but it is now part of a package,  rather than a standalone software. Hence the download.
medium_SAVenusBayrocks
I have started exploring Analog Efex Pro—a film emulation program—to see what it offers.  When people nowadays think of the film look, and when they go ga-ga over the film look, they aren’t really going ga-ga over the look of film. They’re fetishising a simulation of an idea. An implanted memory of something that didn’t really exist. That’s Analog Efex Pro.

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