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digital image

colour, critical writing, digital image, landscape, nature

on location: Salt Creek in the Coorong

February 24, 2016

The Coorong in South Australia  is basically a string of saltwater lagoons  sheltered from the Southern Ocean by the  sand dunes of the Younghusband Peninsula.  It is still largely  seen  as a pristine wilderness  rather than an edge land.   Nature from this perspective is a by-word for “wilderness areas”.

The Coorong is identified as a National Park, which is then reduced to a pristine wilderness that is a sanctuary for many species of birds, animals and fish. It is  held to be a pristine wilderness (an elsewhere beyond human culture and society),  despite the existence of walking trails;   the waters of the Coorong being a popular venue for recreational and commercial fishers;   and  it being a remote space where we go to in our SUV’s on weekends and  public holidays. The idea of wilderness area is a social/political construction as not all parts of the Coorong are a national park or a pristine wilderness.

 The  concept of nature underpinning  the idea of the Coorong  as a pristine wilderness means that it is seen as a self-contained, harmonious set of internal self-regulating relations that always return to harmony and balance so long as they aren’t perturbed by  humankind.  Because nature is seen as harmoniously self-regulating, any technological intervention in nature is seen as inviting harm, disaster and catastrophe.

This conception of nature as a pristine wilderness goes back to  the Romantics,   who constructed nature as offering  a respite from the transgressions of so-called civilised European society then undergoing  the initial phases of capitalist industrialisation. Nature is seen as sacrosanct and is venerated. Nature as “over there,” somehow separate from our daily lives, is  then set on a pedestal.

at the salt site

at the salt site

The next step is to argue that the ultimate cause of our ecological problems is modern technology, Cartesian subjectivity, within which we are abstract beings somehow outside nature, who can manipulate nature, dominate nature.  Nature is an object of our manipulation and exploitation. Modernity is based on a hard and fast distinction between Nature and Culture, where the two domains are to be thought as entirely separate and distinct. Continue Reading…

coastal, colour, digital image, film

Lady Bay + the photographic medium

May 30, 2015

The picture below of Lady Bay at a particular moment in time is an outtake from a submission to a photo competition with respect to the landscape of the western Fleurieu Peninsula in South Australia. What was different, and significant, about this competition from a number of other competitions of contemporary art is that it was centrally premised on submitting a series of one photo of each of the four seasons over 1 year period.

Lady Bay

Lady Bay

The significance of a series of 4 photos is that it breaks away from the entrenched tradition of a single classic analog image in a specific medium in which the specific aspects of indexical relations—–that is, concepts like objectivity, immediacy and truth——continue to inform how we, as readers, interact with images, what we expect from them and how they are performed. Yet the emerging world of networked technologies has transformed, if not ruptured, photography’s traditional boundaries. The value of the image now comes from being online, and on the image being spread and shared; on it being circulated and adapted as it moves through various online platforms.
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