Browsing Tag

beach

archives, black + white, coastal

returning to the archives

November 1, 2016

I am creatively flat after returning from my trip to Lajamanu in the Tanami Desert, curating and showing  in  three exhibitions (Weltraum, Abstractions x 5 and Mallee Routes), which are now coming to a close,  and  publishing  the Abstraction Photography book  with  Moon Arrow Press.   I’m exhausted, in debt, with limited stocks of film in the fridge and limited money to buy more film.

What happens now? Apart from having a rest,   going to the gym, and paying off my debts? Where to now with my photography?I do  have the 15 Silos on the Mallee Highway project to complete,  work  to do on  the Mallee Routes project  for some exhibitions over  the next couple of years, and return to the Fleurieuscapes  project.

However, I am also thinking along the lines of producing more books of photographs.  But which body of work to create photo-books with?  One possibility  is  going through my archives of  photos that I did in the 1980s and 1990s; not to mine them  for material, but  to see if  the  material that emerges from exploring  the archives that has the  possibility of constituting a body of work  that could fit into a book on Adelaide photography during that period.

Onkaparinga River

Onkaparinga River

This kind of project  would be a filling in the gaps and recovering a lost history in the regional  photographic culture in Adelaide during the photography boom.   Currently, we only have a very fragmentary sense of the photography that  happened in the last quarter of the twentieth century in this city.  This was the period of the emergence of postmodernism and  its constructed imagery (eg., Anne Zahalka, Fiona Hall and Bill Henson in Australia)  and  its play with,  and appropriations of,  already existing images; a theoretical engagement with the nature of photography’s visual language’;  a more scholarly approach undertaken by masters and doctoral candidates at Australian universities; and the invention of an Australian  photographic avant-garde.  Continue Reading…

coastal, colour, digital, people

Summer is here

December 20, 2015

Summer is here in south-eastern Australia.

The temperatures in Adelaide have been in the high 30s and low 40s during December, the fire season is here  and the firefighters battle the increasingly frequent  bushfires.   People are arriving  on the southern coast of the Fleurieu Peninsula for their  Xmas break,  the holiday houses are being occupied, the boaties and their expensive boats are lining up on the Encounter Bay boat ramp  to go tuna fishing, the days are long with daylight saving, and the beach is the place to go.

Petrel Cove, Victor Harbor

Petrel Cove, Victor Harbor

The light is harsh during the summer days, so photography is only possible very early in the morning or very late in the afternoon.

It is now difficult to photograph people on a beach in Australia due to the increasing hostility to “street photography” and parent’s  fear about paedophiles stalking  their children with cameras. This is a pity because the  beach has traditionally been a  public space of recreation and leisure that epitomises the personal liberties of Australia’s democratic society.  The  assumption that  the beach is there for everyone to use was  contested in   the 2005 Cronulla race riots in Sydney  Continue Reading…