The Bowden Archives is is now in publication. I took the image files to the publisher–Wakefield Press— on Monday, the 17th July. I still have the text, or rather the three texts, to finish. I am currently struggling to get them into some short of shape. The overall argument is still very implicit and fuzzy, and the arguments of each of the texts are still hazy. I have another month to get the texts to flow, and once that is done I will finally have a draft of the book .
A book is the next stage after publishing the images online in Flickr and then a WordPress blog. It is very much a DIY project at a time when there is a substantial attack on knowledge, inquiry and, cultural memory caused by the austerity regime imposed by conservatives. This has seen ongoing public funding cuts to science authorities, universities, research programs, museums, archives, galleries and the public broadcaster along with a general dismissal of photography as a naïve, indulgent or downright irresponsible way to spend one’s time and energy.
Bowden kids, Adelaide
At this stage the preface is entitled ‘Living in Bowden‘, the second essay is entitled ‘Alternate Photographic Histories’ and the third text is entitled ‘Photography, Memory, Place’. The idea behind the book is to give a grounding to this style of regional photography; one that breaks with the positivist conception of documentary photography in the art institution by making the shift to hermeneutics and interpretation. This means that the photos are made rather than taken. It is a small and modest step to helping create a strong, critical visual culture to counter the latent anti-intellectualism directed at those people who want to talk/write about the ideas on which photography rests, as well as making images. Continue Reading…
My energies in the last month or so of 2016 have been directed in starting to put material –images and text—together for the photo-book that I have started working on. It is a form of memory work as it is an active seeking out and an interpretive and reconstructive approach to the past. The book is situated in the nexus of photography, archive and memory and it is a working through of personal and collective memory based on my photographic archive.
The first stage is going through the 1980s photography archive, selecting negatives from the contact sheets, scanning the selected images, and then digging around the internet for text to act as a commentary on this decade in Adelaide. The assembled material goes into a post on an old wordpress blog, which acts as a repository of selected material that I can then rework into an initial digital draft using InDesign. Or probably Scrivener, before I turn to InDesign, as I do need a word processor and project management tool that would allow me to compose and structure a difficult document.
newspaper boy, Adelaide
The book’s current working title is The Bowden Archives and Other Marginalia and, at this stage, it is composed of three main sections: Adelaide street images, the Bowden archival project, and pictures made away from the city–at the beach or on the road. I have primarily been working on the first two sections and these are looking okay. Continue Reading…
After attending the Centre of Culture, Land and Sea’s informative workshop at Meningie in South Australia. I used the opportunity to explore around Lake Albert and the Narrung Peninsula with its legacy of settler agriculture before driving on down to Salt Creek for a photoshoot for the Edgelands project.
Lake Albert, along with Lake Alexandrina, is a part of the Lower Lakes of the River Murray, and is adjacent to the northern lagoon’s eco-system of the Coorong. Being at the bottom end of the highly engineered River Murray, Lake Albert suffers from the river’s minimal environmental flows. Those at the terminus of the River Murray receive what is left over after consumptive use in the Murray-Darling Basin.
Though the Barrages at Goolwa were constructed to maintain the Lakes as freshwater systems at a constant water depth, the Lakes/Coorong region is at the end of a major river systems, which means that this region is highly sensitive to changes in freshwater flows. Despite the Basin Plan, which has addressed the overallocation of water from the Basin’s rivers by irrigated agriculture, not enough fresh water currently flows into Lake Albert to flush the lake out, so it is salty, and all the contaminants from the upper part of the river end up in Lake Albert.
Lake Albert, South Australia
The irrigators around Lake Albert suffered from a lack of water during the Millennium Drought (from 2002- 2010)—-when Lake Albert was closed off from natural river flows by a Government constructed band at the entrance top the Lake. Exposure and oxidation of acid sulfate soils due to falling water levels from 2007-2009 in the Lower River Murray and Lower Lakes also resulted in acidification of soils, lake and ground water. The low water levels on Lake Albert resulted in many of the dairy farmers, who had relied on pumped water from Lake Albert, being forced to sell their cattle and even abandon their dairy farms. Continue Reading…
The beach dimension of the Fleurieuscapes had a minimal presence in the exhibition at Magpie Springs. Images, such as the one of Petrel Cove below, did not make the cut with the curators. Petrel Cove is on the south side of Rosetta Head, and it is a picturesque beach with rocky outcrops, which, despite a dangerous rip, is populated during the summer by surfers, recreational fishers, families and photographers.
It represents the pleasurable, freedom and recreation during the summer months without the stench of sewerage, piles of discarded condoms, human faeces, life savers, or racial conflict.
surfers, Petrel Cove
The Petrel Cove beach is usually empty during the late autumn, winter and early springs months apart from the odd surfer, dog walker, photographer, or lone fisherman. The place has a history of its rip regularly claiming the lives of those people who ignore the warning signs that signify the potential dangers. So Petrel Cove is not an unspoiled place that has a spiritual significance. Continue Reading…
Summer is here in south-eastern Australia.
The temperatures in Adelaide have been in the high 30s and low 40s during December, the fire season is here and the firefighters battle the increasingly frequent bushfires. People are arriving on the southern coast of the Fleurieu Peninsula for their Xmas break, the holiday houses are being occupied, the boaties and their expensive boats are lining up on the Encounter Bay boat ramp to go tuna fishing, the days are long with daylight saving, and the beach is the place to go.
Petrel Cove, Victor Harbor
The light is harsh during the summer days, so photography is only possible very early in the morning or very late in the afternoon.
It is now difficult to photograph people on a beach in Australia due to the increasing hostility to “street photography” and parent’s fear about paedophiles stalking their children with cameras. This is a pity because the beach has traditionally been a public space of recreation and leisure that epitomises the personal liberties of Australia’s democratic society. The assumption that the beach is there for everyone to use was contested in the 2005 Cronulla race riots in Sydney Continue Reading…