I have increasingly been turning towards the layers of history in my project orientated photography of the present. The presence of history in the present is a complex relationship, and in exploring it I have come face to face with the historical, foundational narratives in Australia.
These colonial setter narratives contribute to the creation of national myth of heroic solo-endeavour and human tragedy within a ‘harsh’, intractable and unforgiving environment in which only the bravest and boldest could survive.
For instance, the western historiography of heroic exploration in colonial Australia is generally understood within the grand narrative of struggling heroically against adversity’ in the search for more land for further settler expansion and settlement.
This is a fundamental part of colonial occupation and imperial expansion premised on the elimination of the aboriginal people and the wholesale appropriation of their land. The primary motive for elimination is access to territory. Territoriality is settler colonialism’s specific, irreducible element.
