coastal, colour, film, history, landscape

Fleurieuscapes + the Indigenous absence

November 26, 2015

I’ve started working  on my forthcoming Fleuriescapes exhibition  at  the Magpie Springs Gallery  in January/February   2016. The exhibition explores  the Fleurieu Peninsula in terms of people, space and place as this opens up a way to gain a perspective on the  white colonisation of the region and  the  contemporary Indigenous absence.  The exhibition is the first step in this project about a region that markets itself as Adelaide’s holiday adventure playground.

The history of the Fleurieu Peninsula  appears to be premised on  the pioneer myth/legend based on the  ingenuity hard work  and adventurousness of the early settlers and the cultural extinction of the Ngarrindjeri people. An anthropologically constructed image of a southern Indigenous person in a possum skin cloak in the South Australian Museum comes to represent a ‘unique’, but extinct Indigenous presence in the heartland of the white Australian nation.

Starfish Hill

Starfish Hill

 

The story of modernity excludes Indigenous people. It produces a set of foundational myths that are written by signs of development such as the bridge, the jetty and the marina. They all represent the power of western technology to overwrite the ‘natural landscape’. This is the landscape in which Indigenous people and Indigenous interests have been traditionally located. It is assumed that the Indigenous place has been obliterated or covered over by the layers of progress. 

 Indigenous interests are not included in the political, economic, social space of the contemporary. Only through associations to heritage ‘sites’ and places in ‘past’ landscapes can Indigenous people have an identity in the contemporary, often  as an archaic object of interest to the tourism industry.Indigenous people in the contemporary space of the Fleurieu Peninsula are increasingly  being transformed into tourism objects, objects of heritage interest, or ‘relic’ populations with connections to an archaeological past

 

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2 Comments

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    […] I’ve been quietly scoping the landscape near the mouth of the Inman River during our early morning poodle walks along the Encounter Bay beach. I’m looking for old aboriginal sites to photograph as memorial sites. The pattern of colonisation in South Australia deprived the Ngarrindjeri of access to their food and resources when they were removed from their lands and placed in missions such as Raukkan or fringe camps on the edges of towns like Meningie and Victor Harbor. There historical presence is now marked by an absence. […]

  • Reply Australian landscape + darkness - Thought FactoryThought Factory December 30, 2015 at 4:22 pm

    […] us to be fearful. This is also a landscape that is tangled in a history that holds both a presence and an absence, a knowledge and yet a denial of past colonial deeds. The Australian  landscape + darkness goes […]

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