Another possible approach is an eco-photography. The photo below is of a wetland in the Overland Corner Reserve that is adjacent to the River Murray in South Australia. The background to this approach is the environmental destruction carried out over generations by the settler colonists seeking to anglicize a country. Their view was that nature was an adversary to be subjugated and that this was a country to loot — a view that still around today with the multinational mining companies. Dried out wetlands are the scar of this landscape destruction:
On this roadtrip I was starting to look for and trace the overland route that had been used by the overlanders to bring stock to South Australia from Sydney in the early 1840s. I was starting to explore the Riverland region around Lake Bonney, connecting the route to known massacre sites. Then Covid happened and the momentum was lost.
Both of these photographic approaches are a critical perspective on the landscape tradition in Australia insofar as they start to trace and explore the negative consequences of colonial settlement on the country.
The picture below was made in the local remnant bushland during the Covid-19 lockdown in 2020 in the late afternoon. It was made with a Linhof Technika IV using Kodak Portra 160 ASA film.
From memory, during the national lockdown we were able to move up to 5km from our place of residence. This bushland was within that range. I visited it often, in the early morning and afternoon on the poodlewalks. I even made a video using my old iPhone 6.
There has been an outbreak of the Covid-19 virus in the northern suburbs of Adelaide in South Australia. These new cases are South Australia’s first without a known source of transmission since April 1 2020–7 months ago.
Known as the Parafields cluster it has been traced back to returned traveller from the UK, to a cleaner, on to two security guards and then into the community. The cleaner worked at a medi-hotel (a quarantine hotel) for Australians returning from overseas, and then transmitted to the cleaner’s extended family, some of whom worked as security guards. The particular strain of this virus is showing no symptoms for people who have become infected; it is highly contagious (it was transmitted from surfaces at the medi-hotel in the city); and the incubation is very short —down to 24 hours.
The state government, in response to this second wave, has instituted a very tough mandatory lockdown of the state at midnight on the 18th of November in an attempt to execute a six day circuit breaker, to get on top of the contact tracing and to get every single person that they can into a quarantine situation as quickly as possible. The lockdown is being used to contain the virus, where as in Europe governments only uses lockdowns when things are out of control
Basically we cannot leave our house for the next 6 days and only one person per household can leave the home once a day to visit the supermarket, or if they are in an emergency, or if their home is unsafe. Face masks are advised when in public but they are not mandatory.
I am in the process of working on a third newsletter and the third online exhibition, which is one on abstractions in photography. I am a bit behind schedule due to Light Paths.
Light Paths is currently under construction. It is a community orientated website for art photographers in South Australia. It is currently in ‘coming soon’ mode, but it should ‘go live’ sometime during October. It is premised around the idea of encouraging art photographers to publish their work in progress re the current project they are working on (initially on the blog and then in a gallery); to go on 2 field trips per year; and to have an annual exhibition based on the work produced on and around those field trips.
The Covid-19 pandemic put a stop to my planned travels to both Lorne and the Great Otway National Park with the Friends of Photography Group in April, and to Melbourne’s CBD to continue working on the drossscape project with Stuart Murdoch in June. I found it astounding that a neo-liberal government committed to austerity and financial orthodoxy locked down whole sections of economic activity knowing that this turn to public health restrictions meant jumping over the cliff edge of the sharpest recession in modern history.
Melbourne has become a no go destination due to the city becoming a hotspot with an outbreak of community transmission in a number of suburbs; those areas in Melbourne with high rates of household overcrowding, homelessness, housing affordability stress and financial hardship. A crucial source for the community transmission of Covid-19 was the security guard fiasco at the Melbourne quarantine hotels for those Australians returning from being overseas. The public health response to the failures in hotel quarantine infection control protocols was to reimpose restrictions on family and outdoor gatherings; a widespread testing blitz in the hotspot suburbs assisted by Australian defence force personnel; then a stage three lockdown of Melbourne itself.